Wednesday, November 16, 2011

Return of the commenteer

I have been shamelessly lax in posting anything of late, been focused on tons of teaching, co-running a post-grad forum and resisting the urge to implode due to my PhD.

In the last couple of weeks, I have completely convinced my housemate of the merits of dystopian movies. We started out with Soylent Green. Housemate was deeply impressed with Heston's alpha male take on things but had to pause 10 minutes before the end to take a break as it was getting a little intense. I was rather pleased with that, as it demonstrates the art of movie-making that doesn't have to be jam-packed with special effects or insane filming techniques to be exciting. It's such a taut ending, full of emotion and plays on ideas of a commanding faceless government that makes choices that seem to benefit the public but actually exploit and harm them.
"How to be an alpha male - brought to you by Charlton Heston" aka "Soylent Green"
Logan's Run went down slightly less well with both housemates. While one of my favourite golden oldie scifi flicks, it does require an acceptance of 70s-inspired fashions and hair. Plus, the occasional pure insanity can be offputting for some. The housemates kept trying to break down the plot inconsistencies, rather than just go along with the crazy....
Sample A - Insanity of Logan's Run: pointless shiny robot surrounded by frozen penguins and furs.
Sample B - Insanity of Logan's Run: over 10 minutes of the movie are given over to following the ramblings of this hairy man, culminating in 100s of scantily clad men and women stroking the hairs on his chinny-chin-chin.
We returned to Heston with The Omega Man. Definitely not as good as Soylent Green, but interesting. Overall, not something I'd go back and rewatch (it is barking mad), but I was glad to see it. (For those of you who haven't seen it, it's one of the earlier film versions of Richard Matheson's I am Legend).
Not so cool bits... These guys wreck my head and could have been done a hell of a lot better.
Fahrenheit 451 (based on a Ray Bradbury story) went down well. I liked the simplicity of its approach, it wasn't trying to do too much. Anyone who is a literary (or Julie Christie) fan will love it. One of the first things to notice is the lack of subtitles in the opening - there is no text for the majority of the movie - and it is a strange thing to witness.
Fahrenheit 451: not suitable for those who cannot bear to watch books (or crazy ladies) burn
For a more light-hearted modern dystopia, we watched 2006's Idiocracy, starring Luke Wilson. This is just a great satirical movie that makes fun of itself and the USA, in a very open and silly way.
Idiocracy
While I'm not a fan of Michael Bay, I decided to give The Island a chance. Like all his movies, there are plenty of pouty pretty people to look at (Scarlett Johansson and Ewan McGregor. Please note that their acting in this film may make you want to bang your head against a brick wall.). It's very shiny and well-polished and, as a result, completely soulless, which is ironic considering the implication that carbon copy clones are supposedly equal in human status to their originals. I plan on checking out an earlier version of this story in The Clonus Horror.
The Island: pouty, shiny blond people & bad acting (also features Sean Bean as a corrupt grumpy git)
Anyway, also found this splendid page via reddit.
http://www.larissahammond.com/2011/11/my-thought-crimes-dystopian-literature.html

 The article even has charts!
source: http://en.wikipedia.org/wiki/List_of_dystopian_literature

Wednesday, August 10, 2011

Torchwood: The case of immortality

I've been holding back on commenting on the new Torchwood series for two reasons. One, I'd never watched Torchwood before and needed to get my bearings. And two, because I wanted to see a few episodes together to understand where they were going with the story. So far, so good.
The concept is superb. Set in the present, mankind faces a radical worldwide change - no one dies, ever. At first glance, this seems like a miracle.

The first instance of this 'miracle' is the attempted execution of child killer Oswald Danes (played by Bill Pullman). The death penalty becomes pointless and question arise as to what a life sentence really means and how prisons will function.
"Oswald Danes - Child Killer" Bill Pullman
A nod to the sentationalist, power hungry and inflammatory media is given with the casting of fiery Lauren Ambrose as Jilly Kitzinger, PR manipulator extraordinaire. Amid the turmoil, she sees the potential for personal gain and exploits everything and everyone around her to her own advantage. The character could be one-dimensional, but the writers have been coy enough to write her with intelligence and nuance.
"Jilly Kitzinger - PR Mastermind" Lauren Ambrose
Jilly works for Phicorp, a pharmaceutical giant which seems at the heart of the dramatic global events. Faceless, nameless and controlling, this company appears to have all the answers for the new world needs - a miracle painkiller drug to match the demand from the sick and injured.
Captain Jack Harkness (John Barrowman) nabbing some of Phicorp's dodgy stock
Regardless of the injury, explosion, lack of cohesion between body parts, the mind and body are still alive. The immortality is just that - an immortal existence, but with all the pains and ills of the world still in existence. Disease and age still take effect. Indeed, without the deaths of those carrying disease, viruses and bacteria fester, spread and evolve at alarming, uncontrollable rates. Hospitals fill up to full capacity almost immediately. All the while, desperate families drop off sick children and elderly relatives who they cannot or will not care for.

What appears at first to be a blessing, is actually a curse. Given the religious terminology used (miracle, blessing, etc), it is no surprise that issues of faith and religion are explored. While not the main focus of the plot, the lack of explanation of the miracle from State and Church results in new waves of leaders and movements. Most surprising is the rise of child killer Oswald Danes as an outspoken supporter of the 'dead' who still live. Another movement 'Dead is Dead' demands that all those who should have died should be segregated and kept in separate holding facilities, away from the 'normal' population.

Rather than stilted single episode story lines, the writers have chosen the larger sweeping narrative arc for the whole series - this is always something that appeals to me. I'm looking forward to seeing what they come up with next!

In some sense the story reminds me a the (very different) Zardoz, starring Séan Connery in a red leather negligée, long plaited hair and thigh-high boots.... That madness aside, the advanced Immortals inhabit a seemingly utopian valley - when they get old, they are reborn anew, and have the potential to be perpetually young. Yet, this immortality has robbed them of any semblance of life and they are bored and petty. Those who transgress in the society are doomed to live in artificially-induced old age and senility, segregated away from everyone else. At the end of the movie, we learn that Séan Connery's wild man character was introduced to the Immortal realm by one of their own who wanted to break the cycle of eternal life and just die.

Things are always better seen in triplicate...

Tuesday, July 5, 2011

List of dystopian movies

This was listed on IMBD and, to my shame, there are too many movies I need to watch left on this list! It's no where near exhaustive, but has something for everyone http://www.imdb.com/list/xXON8Go--TU/

I'll try to compile my own list and add suggestions to the site as I find them.

Sunday, July 3, 2011

2081, beautiful film short

Found this little gem today, a fantastic take on the notion of creating an equal society.

Based on Kurt Vonnegut's "Harrison Bergeron", the story takes you on a stroll to the near future where mankind masks the faces of the beautiful, weighs down the muscles of the strong and blocks the thoughts of the clever. One man rebels in a haunting sequence that leaves a lasting impression.



Read about the movie here: http://www.imdb.com/title/tt1282015/

Wednesday, June 8, 2011

The Revolt begins (PTI)

I've been thinking a lot about recent protests around the world, including my local city, Bristol. Here I explore what happens when government goes too far.

      

Sara joined her eager friends at the café to plan the protest. 200,000 people were expected to accompany them on a peaceful march against their oppressive and near omnipotent Government. The State thought it could control the masses, but the public grew more resistant day by day. They would suffer no longer under the dogmatic censorship constricting their hearts and minds. Man, woman and child would rise up and reclaim their freedom.

Sipping coffee and placing the finishing touches on their placards, the group’s energy was maintained by a bustling energy born from pure adrenaline. This was risky. The Government had guns, armour and even tanks. The two-faced bastards of politics wanted to crush any insurrection.  Corrupt newspapers published daily sheets smeared with hateful propaganda, warning the public that any dissent would be met with force. The gang of youths reasoned that a peaceful protest would show solidarity and bring with it the security of numbers. They planned to split into two groups: one group with the large banner to be hung from the roof of parliament; the other group, Sara’s, with posters to walk the streets and talk to the crowds.

This was it, time to move. Everyone checked they had their supplies. Water bottles, check. Mobile phones, check. Snacks, check. Bandanas in case of gas attacks, check. Solid boots and comfortable clothes were evidently a priority too; the gang looked like they could take on a hiking trip and were ready for anything.

Pull exhilaration grasped them as they entered the paved streets of the city centre. Throngs of people chanted, sang, laughed and shouted. Barricades were being moved by the police, they too were preparing. Shifty-eyed strangers locked gazes with the more outrageous protesters.

“They have their spies”, thought Sara.

Waving goodbye to the roof troop, she set off towards the gates of Parliament. The steel-eyed strangers suddenly turned and moved away quickly from the protesters.

“That’s strange.”

She was used to being watched, active surveillance on her at all times. Practiced at reading suspicious body language, she scanned the crowd. There was movement, yes, but an undercurrent. A flash of fear darted across the eyes of some strangers.

“What are they afraid of? It’s not us, we’re no threat.”

She looked around, spinning in the street, pure instinct taking over.

“Something’s wrong.”

In her hurry, she looked up. Something was falling. Or, rather, someone was falling.  A body just fell from the roof.

“What the fuck?”

It was still too far away to see clearly, but the person had not been alone on the roof. She could make out the straggly outlines of scruffy protestors. They were walking closer and closer to the edge.

“What the fuck are they doing? Some kind of suicide protest?”

She was shocked to the core by this idea. But she was wrong. The protestors were backing away from the police. Some protestors flopped to the ground, shot dead. The rest kept moving, arms up, pleading.
Sara looked about again. High barricades were being positioned all around, closing off the exits.

“This is going to be a massacre.”

She grabbed one of her companions by the arm.

“Come on, we have to go. Now.”

Perplexed, the girl, shoved her off and kept pushing forward, “We can’t turn back now, if we don’t stand up to them no one will”, she said defiantly, unaware of the real danger.

Sara screamed, “They are going to kill us”, but no one stopped, no one listened. Their blind ambition to take on the Government was blinding them to what was going to happen, a blood bath.

It was fight or flight time and Sara knew to fight now would be to die, better to live and fight another day. Turning from her friends, she threw herself at the crowd, shoving past them with all her strength. Knocked to the ground a few times before reaching the barricades, she was battered and breathless. Slipping out through the metal lines, she sat down on the kerb to catch her breath.

A strange silence hushed up against the railings. The city’s streets were empty. Clearly the public had taken the Government’s instructions to heart,  “STAY INDOORS OR SUFFER THE CONSEQUENCES”. Sara could imagine cowardly men and women sitting at home sucking their thumbs and waiting to be told what to do next. Then it struck her, she just took the cowardly way out. How could she, after years of protest and attempts to gain her liberty? She had just walked out of the biggest and most important public event of the decade.

At that moment of self-doubt she heard the first shots, at least the first shots that were close enough to be audible. Semi-automatic weapons were unleashed upon the crowd and they were moving in Sara’s direction. Without pause, she lifted herself up and ran down the deserted streets.

Panic-stricken, she heard screams of the dying and the encroaching shouts of uniformed gunmen.  She needed to hide, but every door was sealed, every gate locked. Around another bend, she saw a large yellow grit box. Desperate to escape the gunmen, she lifted the lid and saw it had not been refilled since Christmas. Crouched inside, she waited, cursing herself for such a terrible hiding place.

Seconds later, sandal-clad feet ran past. Others had escaped the barriers too. Heavy boots followed them.  Bang. Bang. Bang. Bodies slumped to the ground. Shivering in fear, Sara closed her eyes and silently begged them not to find her. Frozen, she lay there for some time, until the air cooled and the screams ended.
At nightfall, she stretched her arm out and cracked the yellow lib open, peering out to scan the streets. Not a soul was left living. Crawling out from the box, she darted in between the shadows and looked back at the Parliamentary buildings. Blood dripped on every surface, congealing in large piles where more than one body had been slaughtered, ripped apart by multiple bullets. Bleary open-eyes showed that gas had been released too. Sara could even see some children had been beaten before execution, their shattered bodies thrown aside like rag dolls.

Surrounded by death, she dipped her head and said a prayer. She needed to get out of the city; that was her only chance of survival.